PDF Ebook Francesca Woodman: Works from the Sammlung Verbund By Betsy Berne, Johannes Binotto
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Francesca Woodman: Works from the Sammlung Verbund By Betsy Berne, Johannes Binotto
PDF Ebook Francesca Woodman: Works from the Sammlung Verbund By Betsy Berne, Johannes Binotto
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- Sales Rank: #217950 in Books
- Published on: 2014-06-30
- Original language: English
- Number of items: 1
- Dimensions: 11.90" h x 1.30" w x 9.80" l, 4.15 pounds
- Binding: Hardcover
- 304 pages
Review
How many books devoted to Francesca Woodman do we need? Francesca Woodman: Works from the Sammlung Verbund closely follows the organization by periods and places employed by the 2012 Museum of Modern Art (San Francisco) exhibition catalogue, and its plate section repeats much of that book, with the addition of some pictures by the artist as a teenager. One nude-self portrait shows Woodman entwined with the roots of a tree, eerily evoking Ana Mendieta crossed with Ophelia. But a decision to print the reproductions in four-colour black and white, instead of the finer-resolution black and white of teh earlier book, leaves the images here less crisp and lacking the spooky dark glamour captured by SF MOMA'S catalogue. Because the new volume reproduces mostly posthumour prints we dont get tho see the idiosyncratic and revealing captions Woodman wrote on some of her photos, like the scrawled title appearing under the cockeyed print of the iconic 'On being and angel #1, 1977.' And since she became an angel, and has subsequently become a saint, it makes a difference whether she touched these relics. (Christopher Lyon Bookforum)
In the wake of her death, Woodman’s photographs ― haunting black-and-white images, which examine her own body and ambivalence toward it ― have received much critical acclaim. Yet a new exhibit, currently on display at Vienna’s Sammlung Verbund gallery, and corresponding book (out next month) argues against popular interpretations of Woodman’s images that foreshadow her premature demise. In an introductory essay, the critic Elisabeth Bronfen disputes Peggy Phelan’s suggestion that Woodman’s obsession with blurred renditions of her own figure are “understood as a way to rehearse her own death,” asserting instead: “By resolutely dedicating herself to the fragility of her own appearance as a photographic rendition, Woodman highlights the very inexorable inconsistency that ties the vitality of artistic work to the transience of life.” (Erica Schwiegershausen New York Magazine)
About the Author
Elisabeth Bronfen is professor of English and American studies at the University of Zurich and the Global Distinguished Professor of German at New York University. She is the author of several books, including, most recently, "Night Passages: Philosophy, Literature, and Film."
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